In the contemplation of Andy Warhol's renowned definition - that pornography is anything devoid of narrative - one finds a profound reflection on the essence of storytelling. While it may be argued that most pornographic works possess some semblance of a plot, it is evident that true narratives cannot be conflated with the genre.

Indeed, Warhol's assertion holds sway. The contrived plots within adult films merely masquerade as narratives, serving as nothing more than formulaic conventions, a scripted charade underscoring the inconsequence of events preceding the main spectacle. In contrast, genuine narratives unfold in original and unpredictable ways, guided by the author's ceaseless imagination and absolute inventiveness, delving into an inner realm previously unimagined.

Yet, the crux lies in the presence or absence of hypocrisy. In pornography, all involved - viewers, creators, and actors alike - acknowledge that everything aside from obscenity is but a necessary evil. The arousal of base desires stands as the sole raison d'être for this peculiar creation. A true narrative, on the other hand, bears no practical purpose; its existence is self-justified. Engaging with a compelling story requires no ulterior motive; one simply surrenders to its allure and revels in the experience. Upon its conclusion, one emerges enriched, fundamentally transformed. In the aftermath of adult entertainment, however, it is the consumer who is left desolate, arguably more so than the performers themselves.

If hypocrisy serves as the chief metric for pornography, then we find ourselves mired in its depths - figuratively speaking, of course. Consider, for instance, the sociopolitical landscape of contemporary Serbia. If compelled to define its societal structure, one might aptly dub it a "pornocracy."

Illustrations abound:

Take, for instance, the recent constitutional overhaul. The idyllic portrayal of political leaders in unanimous agreement evokes familiar scenes from adult entertainment channels. And what of the campaign, the voting process, and those who emerged as champions of this shameful deceit? To what end does such a facade lead?

Consider also the apprehension of war criminals. Do the rehearsed lines uttered by politicians over the years not resemble dialogue lifted from the shadows of cinema halls? And those who shamelessly regurgitate such falsehoods, feigning spontaneity - to whom do they bear resemblance?

The role of clandestine agencies further epitomizes this analogy. Picture the Intelligence Agency as a seductive siren with ample bosom, blissfully unaware that she is moments away from entwining with a tattooed brute, an unmistakable nod to the Military Counterintelligence Service.

And what of pre-election campaigns? Are the appearance and demeanor of politicians, striving to present themselves falsely akin to the comportment of adult film stars? Where lies the distinction? Does any among them endeavor to act humanely, honestly, even for a fleeting five minutes?

The examples are manifold, each painting a vivid portrait of the state of "pornocracy." Yet, amidst this murky landscape, there exists a beacon of hope - the power of narrative. In immersing ourselves in a captivating tale, we find solace, a temporary reprieve from the sordid realities of our world. It is through the consumption of genuine storytelling that we may transcend this squalid milieu and emerge, perhaps, enriched and enlightened.

GM

QOSHE - Unveiling the Paradox of Pornocracy: A Narrative Perspective - Spiridon - Spiridon
menu_open
Columnists Actual . Favourites . Archive
We use cookies to provide some features and experiences in QOSHE

More information  .  Close
Aa Aa Aa
- A +

Unveiling the Paradox of Pornocracy: A Narrative Perspective - Spiridon

30 0
15.03.2024

In the contemplation of Andy Warhol's renowned definition - that pornography is anything devoid of narrative - one finds a profound reflection on the essence of storytelling. While it may be argued that most pornographic works possess some semblance of a plot, it is evident that true narratives cannot be conflated with the genre.

Indeed, Warhol's assertion holds sway. The contrived plots within adult films merely masquerade as narratives, serving as nothing more than formulaic conventions, a scripted charade underscoring the inconsequence of events preceding the main spectacle. In contrast, genuine narratives unfold in original and unpredictable ways, guided by the author's ceaseless imagination and absolute inventiveness, delving into an inner realm previously unimagined.

Yet, the crux lies in the presence or absence of hypocrisy. In pornography, all........

© B92 Blog


Get it on Google Play