Packing up to leave forever, the family apartment in south Mumbai, was an emotional wrench, but also an eye-opener. In the boxes of photographs and letters I sorted out were memories of the city I grew up in. There is little resemblance between the Mumbai of today and the Bombay of my childhood.

I am among the last of the generation which can still recall a genteel, slower paced, less vainglorious city. I grew up on a leafy quiet street, lined with Victorian two-storey villas, where a lamplighter nightly illuminated the gas street lamps manually with a rod. On the walk to school, one passed the gracious Anglo-Gothic buildings of the Bombay High Court and Bombay University. For longer journeys, there was a tramline near the art deco Regal cinema. The tram moved so slowly you could jump on and off at any point. Churchgate station came up literally in front of my eyes in the Fifties. Then suburban trains started plying, disgorging, at intervals, thousands of commuters from the suburbs working in the then bustling Fort area.

By the early Sixties, the houses on my residential street, New Marine Lines, had been torn down to make way for ugly multi-storey office buildings on a road far too narrow to cope with the necessary infrastructure required for the sudden influx of people and cars. The changes came about abruptly due to a deft amendment tweaking municipal corporation rules concerning heights and floor area ratios in the zone. A new breed of builders changed the landscape forever. Then greedy politicians in partnerships with builders extended the boundaries of the island city, reclaiming large tracts of land at Nariman Point.

Every time I return to Mumbai, I witness fresh changes. In January, a six-lane highway bridge connecting Mumbai with the satellite city of Navi Mumbai was inaugurated. In front of the Nepean Sea Road apartment I have left behind, construction on a sea-link road stretching from Chowpatty to Mahalaxmi has continued for years. Another sea-link road is to connect Bandra to Versova. Work on Mumbai’s raised Metro line pillars also seems unending and the dust from the myriad building sites has made the beautiful port city so polluted and hazy that often you cannot see Nariman Point from the Hanging Gardens.

As Mumbai’s landscape alters dramatically, so do its ethos and priorities. I notice that familiar bookshops and coffee shops have been replaced by wedding couture boutiques. Appropriately, the Mumbai buzz at present is all about the razzle dazzle of the over-the-top Ambani pre-wedding festivities in Jamnagar. The carefully crafted YouTube video clips share every detail of the mind-boggling conspicuous consumption.

Mumbaikars are impressed by the distinguished foreign celebrities who attended the event, along with India’s Who’s Who from Bollywood, sports and the political world. Videos of the guests dancing dutifully to the music at the events hosted by Mumbai society’s uncrowned first lady have gone viral. Uncomfortable questions as to how a young man was permitted to start a 3,000 acre private sanctuary in the middle of a petroleum refinery or how a defence airport was converted overnight into an international airport are brushed aside and viewed as a case of sour grapes.

I can recall an innocent time when wedding ceremonies of even the wealthy in Mumbai were restricted to a single reception and dinner with dance band crooners such as Goody Seervai, Nelly or Maurice Concessio. The only decor was the twinkling lights in the trees. Today, even austere middle-class Maharashtrian families have moved with the times to accommodate Punjabi joie de vivre functions such as sangeets, and mehendis. But the Ambani pre-wedding festivities have raised the bar to a whole new level of dazzle, glitz and limitless expense. Tatler magazine estimates the cost at $120 million.

Some see more similarities between India’s uber rich today and powerful Russian oligarchs than with the fiscally prudent, publicity reticent, philanthropic merchant princes and industrialists who dominated Mumbai in an earlier era. Flashy jewellery and stunning outfits may always have been de rigueur for the rich, but there were also examples of Bombay’s wealthy women of yesteryears pawning their jewellery, sometimes secretly, for worthy causes such as a cancer hospital, a steel mill, animal welfare or supporting Vinayak Damodar Savarkar. Eminent academician Pratap Bhanu Mehta terms the hubris of organising well publicised, but private Jamnagar style festivities as “a perfect embodiment of our age’’. Some view this crass demonstration of power and wealth as an inspiring advertisement for aspirational India and economic liberalisation. Superstars, emirs and internet billionaires not only participated enthusiastically, but gifted suitably mind-boggling presents. The rags-to-riches story of Anant’s grandfather has become a legend and the few murmurs of moralistic disapproval are drowned in general fascination and ambitions to emulate his life story.

One sees some interesting parallels in today’s Mumbai story with a popular serial The Gilded Age, trending on an OTT platform. The serial is set in New York of the 1880s and some of the principal characters are modelled on the Vanderbilt family members, parvenus trying to break into the snobby social circles of New York’s old money. Season Two centres on the society war over competing opera houses. It was inspired by the real life story of Alva Vanderbilt who funded a new Metropolitan Opera House when she was denied a box at the Academy of Music opera house. The Tata Trusts funded the National Centre for the Performing Arts (NCPA), billed as Asia’s first multi-venue cultural centre, at Nariman Point. It was opened half a century ago. It could soon be overshadowed by the Nita Mukesh Ambani Cultural Centre (NMACC) inaugurated last year. The NCPA is in sleepy south Bombay, which has sadly been left behind. The city’s trendy restaurants, offices and apartment complexes are now in the Bandra Kurla Complex (BKC) where the NMACC is located. It is a reflection of the city’s changing character.

The writer is contributing editor, The Indian Express

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When Mumbai was Bombay — as the landscape changed, so have its priorities

9 6
14.03.2024

Packing up to leave forever, the family apartment in south Mumbai, was an emotional wrench, but also an eye-opener. In the boxes of photographs and letters I sorted out were memories of the city I grew up in. There is little resemblance between the Mumbai of today and the Bombay of my childhood.

I am among the last of the generation which can still recall a genteel, slower paced, less vainglorious city. I grew up on a leafy quiet street, lined with Victorian two-storey villas, where a lamplighter nightly illuminated the gas street lamps manually with a rod. On the walk to school, one passed the gracious Anglo-Gothic buildings of the Bombay High Court and Bombay University. For longer journeys, there was a tramline near the art deco Regal cinema. The tram moved so slowly you could jump on and off at any point. Churchgate station came up literally in front of my eyes in the Fifties. Then suburban trains started plying, disgorging, at intervals, thousands of commuters from the suburbs working in the then bustling Fort area.

By the early Sixties, the houses on my residential street, New Marine Lines, had been torn down to make way for ugly multi-storey office buildings on a road far too narrow to cope with the necessary infrastructure required for the sudden influx of people and cars. The changes came about abruptly due to a deft amendment tweaking municipal corporation rules concerning heights and floor area ratios in the zone. A new breed of builders changed the landscape forever. Then greedy politicians in partnerships with builders extended the boundaries of the island city, reclaiming large tracts of land at Nariman Point.

Every time I return to Mumbai, I witness fresh changes. In January, a six-lane highway bridge connecting Mumbai........

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