Survival movies can be classified as a traumatic genre. Not only are you experiencing incredible stories of human resilience and survival, but it gets even more frightening when you know that it’s a real-life story. As much as they are inspirational, they are also as hard to sit through. However, Blessy’s Aadujeevitham adapted from Benyamin’s bestselling novel is more heart-wrenching than inspirational.

Aadujeevitham pivots around a young man from the interiors of Kerala who migrates to Saudi looking for better prospects. But it doesn’t take much time for his journey filled with hope and pipe dreams to drift into a nightmarish saga of barrenness and forbearance. Director Blessy is thorough when it comes to building Najeeb’s excruciating survival tale. From his time as a happy villager to his barren existence in the desert, what remains consistent is Najeeb’s inherent naivety.

Najeeb is a tall, strapping young man, who has left his pregnant wife and mother back home with the hope of providing them with a better life. A school dropout, he is also not worldly, blissfully ignorant of the unsympathetic humans out there. He hasn’t seen a life beyond his quiet village and villagers. His world comes crashing down when he realises that he has been tricked into a life of captivity by an Arab. Najeeb, who has been promised the job of a helper in a company, along with air-conditioned rooms and food finds himself thrown amidst sheep and camels. He is deprived of basic amenities and forced to sleep in a corroded truck. During the day he has to milk and tend the sheep and survive on frugal meals and rationed water. The Arab takes out his belt and lashes at him for even a trivial act of dissent.

Blessy crafts Najeeb’s physical and emotional evolution in detail. It starts from the moment he finds himself thrown into this hellhole—Najeeb’s initial shock leading to distress, trauma, and acceptance are all finely documented. And he creates moving passages of human endurance and vulnerability in the middle of this despair. The first time the Arab throws Najeeb a morsel of bread and how he bites into it teary-eyed, torn between gratitude and misery, is heartbreaking. His daily mortification of living in inhuman conditions and being treated worse than the animals he is tending are passages that painfully linger.

Thankfully Blessy seems to be a kind soul. As if he understands things are getting overwhelming, he brings Sainu into the frames. And she has the impact of a heavy summer monsoon. Sainu (an exquisite Amala Paul) with her kohl-lined eyes and enchanting smile succeeds in resting our heartrates as she romances with Najeeb. As always Blessy is faultless in showing us the details of the Najeeb-Sainu relationship. The subtle little notes and conversations he adds to their romance are sublimely erotic. There is a raw energy in those frames that’s captivating.

The survival portions towards the latter half can be draining, especially since it’s one man’s desperate bid to survive. Perhaps Blessy is right in opting for the overlong running time but wish they were a bit trimmed, especially featuring Hakim’s portions. Having said that A R Rahman’s music acts as a balm to the frames (and our frazzled nerves), as Najeeb, Hakim, and Ibrahim wade through the desert day and night, braving snakes, dehydration, and sandstorms.

Ironically, the visuals even amidst this human adversity are stunning. At one point when Najeeb is parched and near dead, the smooth, crescentic dunes are almost distracting. The drabness of the desert cannot be more eloquent here. Look out for this moving shot of Najeeb’s reflection on a sheep’s eye that emphasizes their confinement and evolved bond.

The external bulwarks take care of a large part of Prithviraj Sukumaran’s performance. The transformation from a healthy, well-fed man to a frail, skinny survivor with unkempt hair, beard, and clothes is nothing short of impressive. Look out for the scene when he discards his clothes (his body transformation is so startling that one can be forgiven for thinking that it is CG) and sits under a tap, experiencing the first drop of water after a long time and your heart goes out to him. As for the internalization part, though the dialogue delivery is still a point of contention, it doesn’t hinder the overall performance. Najeeb is safe in the hands of the actor. There are some fine moments—the scene when he is sobbing thinking of Sainu for instance.

Since I haven’t read the book, I am not in a position to say if it is a faithful celluloid adaptation. But as someone who has just witnessed a survival drama of human resilience amidst situations that can easily crush your spirits, Aadujeevitham is heart-wrenching cinema. And definitely Blessy’s best work to date.

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Aadujeevitham: Blessy's masterpiece delivers a heart-wrenching narrative

18 9
30.03.2024

Survival movies can be classified as a traumatic genre. Not only are you experiencing incredible stories of human resilience and survival, but it gets even more frightening when you know that it’s a real-life story. As much as they are inspirational, they are also as hard to sit through. However, Blessy’s Aadujeevitham adapted from Benyamin’s bestselling novel is more heart-wrenching than inspirational.

Aadujeevitham pivots around a young man from the interiors of Kerala who migrates to Saudi looking for better prospects. But it doesn’t take much time for his journey filled with hope and pipe dreams to drift into a nightmarish saga of barrenness and forbearance. Director Blessy is thorough when it comes to building Najeeb’s excruciating survival tale. From his time as a happy villager to his barren existence in the desert, what remains consistent is Najeeb’s inherent naivety.

Najeeb is a tall, strapping young man, who has left his pregnant wife and mother back home with the hope of providing them with a better life. A school dropout, he is also not worldly, blissfully ignorant of the unsympathetic humans out there. He hasn’t seen a life beyond his quiet village and villagers. His world comes crashing down when he realises that he has been tricked into a life of captivity by an Arab. Najeeb,........

© Mathrubhumi English


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