Culture and entertainment musts from Walt Hunter
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Welcome back to The Daily’s Sunday culture edition, in which one Atlantic writer or editor reveals what’s keeping them entertained. Today’s special guest is Walt Hunter, a contributing editor who focuses on poetry and fiction. His past stories cover AI’s poor attempts at writing poetry, the intimate work of Louise Glück, and Jorie Graham’s musings on the demise of the world.
Walt recently became a father, and his 15-week-old son, Julian, has already exposed him to a new catalog of media, including the book Spring Is Here and “newborn eats dad’s nose” videos. When Walt isn’t watching kid-friendly YouTube videos, he enjoys reading Ali Smith’s clever and engrossing novels; binge-watching Blue Lights, a police show set in Belfast; and listening to “A Day in the Water,” by Christine and the Queens.
First, here are three Sunday reads from The Atlantic:
The Culture Survey: Walt Hunter
The television show I’m most enjoying right now: My favorite show in a long, long time (well, at least since the previous season of Shetland ended) is Blue Lights (out now on BritBox). The show, which is set in Belfast, follows three rookie police officers and their more seasoned partners. It’s a nail-biter with romance and some comic relief. Perfect for binge-watching during the first few weeks of our son’s 3 a.m. meals.
An other online creator that I’m a fan of: For the past 100-plus days since Julian was born, I’ve been exploring the universe of “newborn eats dad’s nose” videos. In doing so, I have broken Instagram and now receive only recommendations of videos of people playing the piano with chickens on their heads or pushing seals around in carts. [Related: The algorithm that makes preschoolers obsessed with YouTube]
Something delightful introduced to me by a kid in my life: Julian recommends the book Spring Is Here for the ever-surprising calf cameo near the end.
Best novel I’ve recently read, and the best work of nonfiction: Ours, by Phillip B. Williams, a novel about a town of freed slaves in 19th-century Missouri. For a nonfiction option, Winters in the World, by Eleanor Parker, is an enchanting book about the seasons and weather of medieval England. Can I include some poetry? Right now I’m reading the work of Ama Codjoe, Divya Victor, and Jenny Xie while also exploring some of the 19-century poets published by The Atlantic—Celia Thaxter, for example, who wrote beautiful descriptive verse about the coasts of New England.
An author I will read anything by: Ali Smith. I started with her quartet of seasonal novels right after Autumn came out, and then went back to her earlier works. She has a reputation for clever wordplay, which is certainly a feature of her style. But she would be hard to categorize as a postmodernist; she’s really just an incredible novelist in the long line of Laurence Sterne, Charles Dickens, George Eliot, Virginia Woolf, and Toni Morrison, with some Muriel Spark thrown in. Her characters struggle with the inhospitable conditions of the present by insisting on friendship and forgiveness. And there’s a beautiful touch of allegory in her work—characters can have names such as Lux and Art—which I take to be a reminder of the place of stories in our everyday lives. [Related: Ali Smith spins modernity into myth in Winter.]
The last museum or gallery show that I loved: This isn’t really a museum, but my partner, Lindsay, and I recently visited the Eden Theatre in La Ciotat, France, and watched a few Lumière films (the train pulling into La Ciotat Station is one of the first films, along with the lesser-known Repas de Bébé). I like very small and focused museums and shows: Last summer, the Institut du Monde Arabe, in Paris, had an exhibition on Jean Genet’s suitcases and papers. Genet’s Our Lady of the Flowers is one of my favorite novels, and it was neat to see some of his ephemeral scribbles. Another recent favorite was the Judson dance exhibition at the the Museum of Modern Art in New York City a few years back.
A quiet song that I love, and a loud song that I love: I was living in Greenville, South Carolina, in 2017 and went to a random show in a record store around the corner from our house. A band called Friendship, from Philadelphia, played a quiet song called “Skip to the Good Part.” It’s a barroom love song, and the singer wistfully mumbles encouraging lines such as “Our days are full of shit and so few.” The loud song is just a song I play loud, and that’s “A Day in the Water,” by Christine and the Queens. This song is for a cool morning in early summer, or a too-hot afternoon in late summer. It pulls you out of your reality and into a space that feels like pure music. Music for me is either ruefulness or transcendence.
A favorite story I’ve read in The Atlantic: Ann Hulbert’s story on the theme of marriage in George Eliot’s novels. It’s one of the best pieces of literary criticism I’ve read in many years. Ann argues that marriage opens rather than forecloses possibilities for experimentation in Eliot’s fiction. I love the idea that a novel might encourage us to rethink the coordinates of reality and to treat what seems permanent as susceptible to revision and change.
The last thing that made me cry: The film Petite Maman, by Céline Sciamma, a short fable in which a little girl meets her mother as a little girl. It’s a perfect work of art. In my favorite scene, the two kids share headphones and listen to a song called “The Music of the Future,” which then plays in the film as they take a canoe out to a mysterious pyramid. Almost everything I like about art is in this scene.
A poem, or line of poetry, that I return to: “And then I start getting this feeling of exaltation.”
The Week Ahead
Essay
Why a Dog’s Death Hits So Hard
By Tommy Tomlinson
My mom died six years ago, a few hours after I sat on the edge of her bed at her nursing home in Georgia and talked with her for the last time. My wife, Alix, and I were staying with my brother and his wife, who lived just down the road. My brother got the phone call not long after midnight. He woke me up, and we went down to the nursing home and walked the dim, quiet hallway to her room. She was in her bed, cold and still. I touched her face. But I didn’t cry.
Two years earlier, the veterinarian had come to our house in Charlotte, North Carolina, to see our old dog, Fred … We had him for 14 and a half years, until he got a tumor on his liver. He was too old for surgery to make any sense. Alix and I held him in our laps as the vet gave him two shots, one to make him sleep, the other to make him still. All three of us cried as he eased away in our arms.
By any measure, I loved my mom more than our dog … So why, in the moment of their passing, did I cry for him but not for her?
Read the full article.
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