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Indeed, you’re hard pressed to find a line from her discography where she isn’t admitting to something! Consider the following lyrics and song titles — quickly! — before she gets to the Super Bowl and brings all her diabolical plans to fruition.
***
“Saying goodbye is death by a thousand cuts” (“Death by a Thousand Cuts”): What else dies by a thousand cuts? The federal bureaucracy, that’s what. Here, Swift admits that she is the deep state.
“I’m shining like fireworks over your sad, empty town” (“Dear John”): In this line, Swift admits she is some sort of cryptid or possibly a superweapon. What else shines like fireworks and empties a town? We all saw “Oppenheimer.”
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“I go back to December all the time” (“Back to December”): In this song, Swift admits that she possesses the technology for time travel yet is using it to go over and over to her failed relationship with one of the stars of the “Twilight” movie series rather than to tend to any more pressing national security needs. Or is she?
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“Drop everything now! Meet me in the pouring rain. Kiss me on the sidewalk, take away the pain. I see sparks fly whenever you smile” (“Sparks Fly”): Swift has noticed that this person (or entity?) poses a danger, emitting sparks when they smile, and she is luring them (it?) out onto the sidewalk into the rain where their spark-smiling can be neutralized, under the pretext of wishing to kiss them. Just one operation she boasts of casually in her early discography.
“I’m feeling 22” (“22”): Commonly misheard. In fact, Swift is feeling “twenty, two.” Twentieth letter: T. Two: 2. T2. Terminator 2. Taylor Swift is Skynet.
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“I’m a mirrorball” (“mirrorball”): In this lyric, Swift confesses she is not even a human being but perhaps some sort of panopticon, obviously linked to the CIA.
“Sometimes I feel like everybody is a sexy baby, and I’m the monster on the hill” (“Anti-Hero”): Who is the monster on the Hill? Congress, of course. But, then, who is the sexy baby? Simple: George Santos.
“It’s ME, HI, I’m the problem” (Ibid): Swift knows which states will be the hardest to win in 2024 and is listing them by their postal codes
“I’ve been the archer” (“The Archer”): An archer is a form of hunter. This lyric confirms Swift’s connection to Hunter Biden.
“I’ve been the prey” (Ibid): What is the enemy of prey? Predators. What are predators? Drones. Here, Swift confirms her complicity in drone warfare.
“Betty, I won’t make assumptions” (“Betty”): Of course, the wife of Gerald Ford, our 38th president. Ford famously pardoned Richard M. Nixon. Self-explanatory.
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“I Bet You Think About ME”: In this song and in many others, we see Swift’s growing preoccupation with the state of Maine.
“I’m on the bleachers” (“You Belong With Me”): Swift foretells the Super Bowl.
“Let’s fast-forward to 300 takeout coffees later” (“Is It Over Now?”): Why 300 coffees? Easy. This is enough coffees for all the Spartans and would have changed the outcome of the Persian Gulf War, redrawing the map of much of the Mediterranean.
“Look What You Made ME Do”: In 2016, Maine nearly went for Donald Trump, awarding him one of its four electoral votes.
“Got a long list of X lovers” (“Blank Space”): Swift is making a list of people still active on Elon Musk’s social media site, formerly known as Twitter.
“Say you’ll remember ME” (“Wildest Dreams”): REMEMBER THE MAINE! Swift remembers the USS Maine, whose destruction precipitated the Spanish-American War. What will it precipitate next?
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“Cried like a baby coming home from the bar” (“Cruel Summer”): This baby, sad he did not pass the bar, can only be a reference to Trump’s legal counsel.
“Don’t Blame ME”: Is Biden campaigning enough in Maine?
“Midnight, you come and pick me up, no headlights” (“Style”): This is some kind of covert operation, and Swift simply admits it in the opening lines of a song about Harry Styles!
“Wrapped all of my past mistakes in barbed wire” (“invisible string”): This refers to the secret facility where Taylor Swift’s enemies are kept.
“No body, no crime”: Swift admits she knows what really happened to Amelia Earhart.
“I think he did it but I just can’t prove it” (Ibid): Swift believes Lyndon B. Johnson was involved in the John F. Kennedy assassination.
“Are you ready for it?” (“ … Ready For It?”): Is Swift finally ready to unveil her infernal plot at the Super Bowl?
“Let the games begin” (Ibid): Yes.
“You Belong with ME”: We return to Swift’s preoccupation with the state of Maine.
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There has been a lot of talk lately about Taylor Swift being involved in sinister conspiracies. But these conspiracists are way, way off. There are true conspiracies, yes, but not about merely reelecting President Biden. Other, more sinister ones are hiding in plain sight.
Indeed, you’re hard pressed to find a line from her discography where she isn’t admitting to something! Consider the following lyrics and song titles — quickly! — before she gets to the Super Bowl and brings all her diabolical plans to fruition.
***
“Saying goodbye is death by a thousand cuts” (“Death by a Thousand Cuts”): What else dies by a thousand cuts? The federal bureaucracy, that’s what. Here, Swift admits that she is the deep state.
“I’m shining like fireworks over your sad, empty town” (“Dear John”): In this line, Swift admits she is some sort of cryptid or possibly a superweapon. What else shines like fireworks and empties a town? We all saw “Oppenheimer.”
“I go back to December all the time” (“Back to December”): In this song, Swift admits that she possesses the technology for time travel yet is using it to go over and over to her failed relationship with one of the stars of the “Twilight” movie series rather than to tend to any more pressing national security needs. Or is she?
“Drop everything now! Meet me in the pouring rain. Kiss me on the sidewalk, take away the pain. I see sparks fly whenever you smile” (“Sparks Fly”): Swift has noticed that this person (or entity?) poses a danger, emitting sparks when they smile, and she is luring them (it?) out onto the sidewalk into the rain where their spark-smiling can be neutralized, under the pretext of wishing to kiss them. Just one operation she boasts of casually in her early discography.
“I’m feeling 22” (“22”): Commonly misheard. In fact, Swift is feeling “twenty, two.” Twentieth letter: T. Two: 2. T2. Terminator 2. Taylor Swift is Skynet.
“I’m a mirrorball” (“mirrorball”): In this lyric, Swift confesses she is not even a human being but perhaps some sort of panopticon, obviously linked to the CIA.
“Sometimes I feel like everybody is a sexy baby, and I’m the monster on the hill” (“Anti-Hero”): Who is the monster on the Hill? Congress, of course. But, then, who is the sexy baby? Simple: George Santos.
“It’s ME, HI, I’m the problem” (Ibid): Swift knows which states will be the hardest to win in 2024 and is listing them by their postal codes
“I’ve been the archer” (“The Archer”): An archer is a form of hunter. This lyric confirms Swift’s connection to Hunter Biden.
“I’ve been the prey” (Ibid): What is the enemy of prey? Predators. What are predators? Drones. Here, Swift confirms her complicity in drone warfare.
“Betty, I won’t make assumptions” (“Betty”): Of course, the wife of Gerald Ford, our 38th president. Ford famously pardoned Richard M. Nixon. Self-explanatory.
“I Bet You Think About ME”: In this song and in many others, we see Swift’s growing preoccupation with the state of Maine.
“I’m on the bleachers” (“You Belong With Me”): Swift foretells the Super Bowl.
“Let’s fast-forward to 300 takeout coffees later” (“Is It Over Now?”): Why 300 coffees? Easy. This is enough coffees for all the Spartans and would have changed the outcome of the Persian Gulf War, redrawing the map of much of the Mediterranean.
“Look What You Made ME Do”: In 2016, Maine nearly went for Donald Trump, awarding him one of its four electoral votes.
“Got a long list of X lovers” (“Blank Space”): Swift is making a list of people still active on Elon Musk’s social media site, formerly known as Twitter.
“Say you’ll remember ME” (“Wildest Dreams”): REMEMBER THE MAINE! Swift remembers the USS Maine, whose destruction precipitated the Spanish-American War. What will it precipitate next?
“Cried like a baby coming home from the bar” (“Cruel Summer”): This baby, sad he did not pass the bar, can only be a reference to Trump’s legal counsel.
“Don’t Blame ME”: Is Biden campaigning enough in Maine?
“Midnight, you come and pick me up, no headlights” (“Style”): This is some kind of covert operation, and Swift simply admits it in the opening lines of a song about Harry Styles!
“Wrapped all of my past mistakes in barbed wire” (“invisible string”): This refers to the secret facility where Taylor Swift’s enemies are kept.
“No body, no crime”: Swift admits she knows what really happened to Amelia Earhart.
“I think he did it but I just can’t prove it” (Ibid): Swift believes Lyndon B. Johnson was involved in the John F. Kennedy assassination.
“Are you ready for it?” (“ … Ready For It?”): Is Swift finally ready to unveil her infernal plot at the Super Bowl?
“Let the games begin” (Ibid): Yes.
“You Belong with ME”: We return to Swift’s preoccupation with the state of Maine.
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