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Dian Parker

Dian Parker

Observer

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The Inspired and Revolutionary Pairing of Georgia O’Keeffe and Henry Moore

Skulls and feathers, bodies and mountains, bones and shells are highlighted against blue skies and blue walls in “Georgia O’Keeffe and Henry...

previous day 10

Observer

Dian Parker

On Pierre Bonnard’s Drama and Quiet Seduction

The angle of a doorframe, an open window, a table laid with fruit and teacup, a dog perched on a checkered tablecloth—all these moments of everyday...

11.04.2024 7

Observer

Dian Parker

Disintegrating to Permanence: On the Life and Work of Alberto Giacometti

During one three-year period of creative output, Alberto Giacometti was able to fit every piece that he had made into six matchboxes, which he then...

04.04.2024 3

Observer

Dian Parker

Rothko Achieves Clarity at the National Gallery of Art

“The progression of a painter’s work,” wrote Rothko, “as it travels in time from point to point, will be toward clarity, toward the...

19.03.2024 4

Observer

Dian Parker

Don’t Miss: The Intense Stillness of Celia Paul’s ‘Life Painting’

“The main theme of the exhibition has to do with looking and being looked at,” Celia Paul told me. “I wanted to try and subvert the notion of...

02.02.2024 20

Observer

Dian Parker

The Invincible Jim Dine On Drive, Draftsmanship and His Own Mortality

Artist Jim Dine is a painter, sculptor, printmaker and poet—one who exemplifies what it takes to master a craft. He works seven days a week, 365...

02.01.2024 5

Observer

Dian Parker

Examining the Lyrical Force of Joan Mitchell

Earlier this month, Joan Mitchell’s Untitled, 1959, was auctioned by Christie’s as part of its masterpiece-filled 20th-century art sale with...

14.11.2023 2

Observer

Dian Parker

An Alchemical Collaboration: Edmund de Waal and Sally Mann at Gagosian

“White is not a stripping back to reveal, but a starting place,” wrote Edmund de Waal. “A page, a wall, a handful of white clay, porcelain, a...

13.09.2023 1

Observer

Dian Parker

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